Spending some time in a Kiel Gnomenfoot book proves to be disastrous when fictional characters invade the real world in droves. Owen insists that Bethany jump the two of them into his favorite series, the Kiel Gnomenfoot series. He presumably went back into a book, and Bethany spends her time jumping in and out of books as she tries to locate him. Bethany's father is a fictional character who has been missing for years. In Story Thieves, Owen learns that his friend, Bethany, is half-fictional. My first volume would be titled Jennifer White of Midwest City. I ran with the idea of actually being a book series since several years back, an eBay seller made note of my extremely common name and generic city name and how I sounded like the title character in a juvenile series. If you have read the updates on my Facebook page, you know that my page is currently set as being a 'book series' after Facebook arbitrarily changed it to that. What a dream! Imagine being the star of your own book series! The first sentence of the summary reads, 'Life is boring when you live in the real world instead of starring in your own book series.' OMG. The first book in the Story Thieves series caught my eye, and I pulled it off the shelf.

On January 13, I was in a bookstore, scanning the shelves to see if I could find another interesting modern series to try. I find it odd, annoying, and infuriating that the rest of Simon and Schuster's juvenile series output is higher quality than the current output of the Nancy Drew franchise. It should be noted that the Story Thieves series is published by Simon and Schuster. (Jan.The Story Thieves series consists of the following books written by James Riley. Agent: Michael Bourret, Dystel & Goderich Literary Management.

By book’s end, though, Riley brings his interwoven levels of story to a conclusion that satisfies both intellect and narrative. The plot gets chaotic as Owen and Bethany’s actions create a mess of repercussions in reality, and readers face the challenge of intuiting the events of an invented series while its constructs are being pulled down around them. Bigger than saving Dumbledore,” thinks Owen, marveling at the chance to prevent the death of a beloved character). As the concept demands, self-awareness plays a big role in the narrative, and the interplay of text and metatext is one of its most entertaining aspects (“This would be huge. After Owen offers Bethany a possible way to find her father, she agrees to take him into Kiel’s book on the condition that Owen not interfere with the story. Bethany isn’t interested in giving Owen a tour: she’s busy looking for her father, a fictional character who disappeared into a book when she was young. When Owen discovers that his classmate Bethany can jump into fictional worlds, he’s desperate to enter his beloved Kiel Gnomenfoot series.

Story thieves book 3